The 18 winners of the ShowBoats Design Awards 2017

Joy

Length: 70m

Exterior styling: Bannenberg & Rowell Design

Builder: Feadship

There is a lot of talk about the increase in outdoor living spaces aboard modern yachts and Joy sets a new benchmark in this area. Shaded and open exterior spaces abound and lengthening the bow during the design phase created a family hang-out space for basketball and other diversions. The chiselling and nipping into the traditional superstructure forms give the yacht a unique look – “like a block of snow and ice that has been shaped by the wind”, said one judge. The chamfered edges of the overhangs create an illusion of more space between decks. The profile, originally drawn by Feadship’s De Voogt Naval Architects, was reimagined by Bannenberg & Rowell and, believe it or not, Joy is its first exterior styling project.

My Song

Length: 39.6m

Exterior styling: Nauta Design

Builder: Baltic Yachts

The owner’s brief was for “elegant, intriguing and sexy deck lines, where a full set of the most advanced racing gear and hardware had to find places to hide in the most discreet possible way”. Designed by Nauta as a racer/cruiser for use in the Med and Caribbean, the goal was an eye-catching yacht with proportions so balanced that it is impossible to judge the yacht’s length from a distance. The small, glass-enhanced coachroof is almost hidden by 30cm high gunwales, a welcome feature that certainly improves crew footing. Crew deck access is well placed aft of the guest cockpit. At anchor, the wide stern creates a sheltered sunbathing area that features hydraulically operated seating integrated into the flush decks.

Cloudbreak

Length: 72.3m

Interior design: Christian Liaigre

Builder: Abeking & Rasmussen

The freshness of the layout and décor of this purpose-built yacht created for a young owner obsessed with outdoor sports quickly captured the attention of the judges. They appreciated the open spaces and huge windows for taking in the surroundings, as well as the uniqueness of a fireplace lounge, in which to warm up after skiing or diving adventures, and the winter garden, both indicating the yacht’s extreme latitudes cruising agenda. Christian Liaigre used angled walls, unusual strip lighting and a dramatic stair column to present surprises at every turn. The judges were also impressed by smart features such as a corridor that allows guests direct access from their cabins to the gym and an excellent crew arrangement with a separate crew mess and lounge and thoughtfully placed cabins for pilots and sports instructors.

Sexy Fish

Length: 39.3m

Interior design: Tansu

Builder: Tansu

Beach house ease, pure and simple, won the day. The yacht’s layout and décor is a follow on from the original Tansu yachts in the Mothership series, the 35.2m Ceylan and the 36.4m Preference. Designer Riza Tansu took this yacht a step further by adding a central interior stair column from the wheelhouse to the main deck to facilitate service to the upper bar area, which can be either an open or protected space with sliding roof and louvred side panels. Beds and cabinets that appear to float off the wide-planked, natural floor timber appealed to the judges as did the round portholes in the cabins. The shapes of the rooms and the built-in furnishings created a harmonious match to the exterior design and profile.

Wider 150

Length: 47.1m

Naval architect: Fulvio de Simoni / Wider Engineering & Sydac

Interior design: Ideaeitalia

Exterior styling: Fulvio de Simoni

Builder: Wider

Following the transformer nature of the Wider sport boat, it was clear that the builder’s first true superyacht would also be a “shapeshifter”. The corollary to the adage “form follows function” is that when function changes, so must the form, and that is what Wider CEO Tilli Antonelli has arranged throughout the yacht, allowing it to live bigger than its actual LOA. The float-in tender garage/swimming pool/beach club maximises options without compromising on living spaces or tender size. But the true innovation of the Wider 150 is the propulsion system that fully leverages the hybrid concept, eliminating the traditional engine room and locating the electrical generators far away from owner and guest areas, thus opening up a new world of barrier-free interior layout possibilities. Insulated electrical cables powering Veth azimuthing pods replace the traditional shafts and propellers and an Emerson Industrial Automation system utilises batteries and one to four gensets to deliver just the right amount of power for hotel use or navigation.

Sybaris

Length: 70m

Interior design: PH Design

Exterior styling: Perini Navi

Lighting Specialist: PH Design in collaboration with Lindsey Adelman

Builder: Perini Navi

Reflecting on the fact that lighting can make or break a yacht interior and take its exterior from merely functional to exciting, the ShowBoats Design Awards added this category to the line-up for 2017. The inaugural winner of this award, PH Design, collaborating with Lindsey Adelman, noted that the lighting plan began with the first pencil strokes for the interior, which was planned from the beginning to showcase art amongst subtle finishes. It is the design firm’s first yacht. The judges were impressed with the sophistication of the plan, which in some cases uses asymmetry to give the illusion of extended spaces and floating walls. The use of both uplighting and downlighting for ambient light draws the eye to special pieces and helps direct movement through the yacht and set various moods. Adelman’s seemingly delicate fixtures were modified especially for this project and installed by the renowned artist herself.

9.5 Limousine

Length: 9.5m

Builder: Cockwells

Interior design: Cockwells

Exterior styling: Andrew Wolstenholme

Six entries were declared finalists for this award by the subcommittee and reviewed by the full panel of judges. While several tenders captured their eye, the performance, the simplicity of the forward helm position and the luxury automobile-like interior of the 12-passenger-plus-crew Cockwells 9.5 Limousine won their votes. They especially liked the glass skylight panel and sliding glass access hatch, which help to prevent passengers from feeling a sense of confinement in a vessel that had a contractual low profile of 1.75m to fit a particular tender garage. Carbon composite kept weight to 4 tonnes, while a single Yanmar engine delivers 32 knots at full throttle.

**The two winners of the Young Designer of the Year 2017 are Student Designer, ****Thibaud Le Merdy, and Professional Designer, **Eric Laurent.

You may read more about them here.

PH Design

Yacht: Sybaris

Length: 70m

Three design firms were put forward as finalists for this award, which recognises individuals and companies undertaking their first large yacht project. The judges welcomed and carefully scrutinised their fresh approaches to design and reviewed how their participation factored into the overall project. Sybaris is the first yacht commission for PHDesign, the Miami-based design firm headed by Peter Hawrylewicz, although he has completed residential projects for the yacht’s owner. As well as interior and furniture design, the firm is grounded in architecture, a trifecta of sorts for this project, which presented the team with the envelope of a very powerful sailing machine designed to circumnavigate. The judges applauded the boldness of materials and unique details in the design. “Each environment we create is specific to time and place, but global and hopefully timeless in its appeal,” says Hawrylewicz.

Germán Frers

Naval Architect

Buenos Aires, Argentina

First yacht design: Mirage, 1958

Some people are said to be born with a silver spoon; for Germán Frers it was more like a silver pencil. There was little doubt that Germán would learn naval architecture as his father, also Germán, was a leading figure in sailboat design. He grew up racing dinghies and later crewed on powerful yachts his father designed for offshore races such as Buenos Aires to Rio, the Bermuda Race and Onion Patch, Admiral’s Cup and SORC. Helping in his father’s studio as a draftsman after school, in 1957, the first boat launched to his design. It was a 10 metre offshore yawl and the first fibreglass boat ever built in Argentina. He was just 16. While Germán was still at college, Rod Stephens heard about his talents and invited him to work at the legendary Sparkman & Stephens design firm, where he became one of the principal architects, before establishing an independent studio.

In 1970, however, he returned to Argentina to take up the reins of his father’s studio. His first two yachts for the Argentine Admiral’s Cup team did well and his next big project, the 55 foot Scaramouche, won nearly every race it entered. His designs have won all the major trophies around the world and his client list is a Who’s Who in both racing and luxury cruising circles. Straddling both those worlds, he began designing for Nautor’s Swan in 1979, a relationship that continues to today. In 1989 he moved to Italy to design Raul Gardini’s America’s Cup challenger, and in so doing created Il Moro di Venezia, the fastest challenger of the new America’s Cup class of yachts that replaced the 12 metres in 1992. The Frers team next joined Prada for the 2000 Cup and the Frers-inspired Luna Rossa also won the Louis Vuitton challenger series.

He maintains a design office in Milan, run by his son, naval architect, Germán “Mani” Frers. Together, three men named Germán Frers have designed more than 700 boats. In recent years, Germán’s star shines in the stratosphere of superyachts, from Rebecca and Hyperion in 1999 to Indio in 2009 to 2013’s multi-award-winning Inukshuk, and 2016’s Unfurled, Sailing Yacht of the Year in 2016. We congratulate Germán Frers for his lifetime of yacht design excellence.